Plates
2015 - 2022
Encaustic
10 x 17 x 8 inches
Plates
2015 - 2022
Encaustic
10 x 17 x 8 inches
Plates
2015 - 2022
Encaustic
10 x 17 x 8 inches
Nugget
2022
Encaustic
4 x 1.75 x 1.25 inches
Garden
2019 - 2021
Pigmented beeswax
variable (40 x 60 overall)
Garden
2019 - 2021
Garden
2019 - 2021
Laura Moriarty: Resurfacing at the Hunterdon Art Museum
2021/22
Jade Tableau
2019
Pigmented beeswax, black sand, powdered charcoal, metallic pigment
Variable

A grouping of 7 sculptural paintings

Warm Pink Bloom on Aqua Stem
2018
Pigmented beeswax
Rough Cut
2020
Pigmented beeswax, black sand, powdered charcoal
3.75 x 9 x 5.5
Implement 3
2020
Pigmented beeswax, black sand
7 x 4.5 x 3 inches
implement 4
2020
Pigmented beeswax
6x 5 x 4 inches
Cleavage
2018-2022
Encaustic
Tableau, detail
Tableau
2017- 2019
Pigmented beeswax, black sand, powdered charcoal, metallic pigment
Variable

A grouping of 12 sculptural paintings

Pingo
2017
Pigmented beeswax, black sand, powdered charcoal
5.5 x 15.5 x 10
Skyscraper
2020
Pigmented beeswax, powdered charcoal
14 x 8.5 x 4.75 inches
Churches, 1
2016
Pigmented beeswax, black sand, powdered charcoal, corroded metal
13 x 8 x 11
Ecru Bloom
2018
Pigmented beeswax
Color Field: Copper with Bright Green Inlays
2018
Pigmented beeswax
Churches, 4 & 5
2016
Pigmented beeswax, black sand, powdered charcoal, soot
Churches, 5 (alt. view)
2016
Pigmented beeswax, black sand, powdered charcoal, soot
16.25 x 7 x 5.5
Churches, 5 (alt. view)
2016
Pigmented beeswax, black sand
16.5 x 8 x 8


As if dug from the center of the earth, my pieces often resemble scientific models or artifacts whose strata and embedded fragments reveal a history, just as the layers of the earth tell a story of climate shifts, planetary events and cataclysmic disruptions.  In my work, layers of color form the strata of a methodology in which the immediacy of the hand can translate a sense of deep time, marking new eras, delineating ages, and trapping stories that are part of the time/space continuum.