Ash Plume #7
2022
Encaustic on paper
44 x 76 inches
Hold
2023
Encaustic on mulberry paper
39 x 70 inches
Stream
2022/2023
Encaustic on washi (scrolls) | Sumi ink on paper (framed on flanking walls)
Stream, detail
Stream, detail
Stream, detail
Stream, detail
The Wind's Gossip
2023
Encaustic on paper
35.5 x 25.5
Going Nowhere
2023
Encaustic on paper
35.5 x 25.5
This Will Never End
2023
Encaustic on paper
35.5 x 25.5
More Ways to Branch
2023
Encaustic on paper
35.5 x 25.5
Prophesies of Future Weather
2023
Encaustic on paper
35.5 x 25.5
Floater
2023
Encaustic on paper
35.5 x 25.5
What Hovers Above
2023
Encaustic on paper
35.5 x 25.5
Belowground
2023
Encaustic on paper
35.5 x 25.5
The Lowest Frequencies
2023
Encaustic on paper
35.5 x 25.5
The Root Problem
2023
Encaustic on paper
35.5 x 25.5
Talking to Rocks 1
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 27
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 4
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 10
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 7
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 21
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 5
2021
Encaustic on paper
35.5 x 25.5
Ex Uno Plures, 5
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 9
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 11
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 14
2020
Encaustic monotype on Kozo
35.5 x 25.5

These encaustic monotypes are an ongoing by-project of my studio work. I use a heated metal plate to erode and shape my sculptural paintings, and carefully off-set the trails and spillways left behind onto paper as another way of capturing time. Like thin sections in optical mineralogy, they are the thinnest possible slivers of my work.