A Sign of Time, 29
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 6
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 16
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 30
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 31
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 28
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 24
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 26
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 25
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 22
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 20
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 21
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 19
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 18
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 15
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 14
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 13
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 11
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 12
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 9
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 10
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 4
2018
Encaustic monotype on kozo
38 x 25 in.
A Sign of Time, 5
2018
Encaustic monotype on kozo
38 x 25 in.
Blip
2017
Encaustic monotype
36 x 24
Eos
2017
Encaustic monotype on mulberry scroll
64 x 40
Eurybia
2017
Encaustic monotype on mulberry scroll
66 x 40
Slippage
2017
Encaustic monotype on mulberry scroll
78 x 40
Tower, 2
2016
Encaustic monotype on Yukyu-shi
36.5 x 24.5
Helios
2017
Encaustic monotype on kitakata scroll
64 x 38.5
Tethys
2017
Encaustic monotype on kitakata scroll
62 x 38.5
Crius
2017
Encaustic monotype on kitakata scroll
68 x 38.5
Ash Plume 3
2017
Encaustic monotype on kitikata
54 x 39
Ash Plume 1
2017
Encaustic monotype on kitikata
54 x 39

These encaustic monotypes are an ongoing by-project of my studio work. I use a heated metal plate to erode and shape my sculptural paintings, and carefully off-set the trails and spillways left behind onto paper as another way of capturing time. Like thin sections in optical mineralogy, they are the thinnest possible slivers of my work.