Pigmented beeswax, black sand, powdered charcoal, soot
Taking poetic license with geology, I compare processes of the studio with processes of the earth. Layers of color form the strata of a methodology in which the immediacy of the hand can translate a sense of deep time. Working and reworking molten, richly pigmented beeswax, I build each painting/object through a slow, simple yet strenuous physical engagement, which often becomes a metaphor for the ephemerality of life and civilization.
Copyright 2021 Laura Moriarty. All rights reserved.